Our friends are natural desert rats, leaping into the adventure with curiosity and zest. Soon they can discern constructed stone walls from natural rock faces. And spot hidden ancestral puebloan markings among cracks on shadowy cliffs.
This gallery contains 7 photos.
Tradouw Pass Falls (South Africa) Salt Creek Morning, Canyonlands, Utah Coyote Call Canyon, Utah Woodenshoe Canyon Sunrise, Utah Seven Sisters Lakes, Rocky Mountains Colorado Fall Creek Falls, Rocky Mountains, Colorado
There could be interesting names for this trek, perhaps “The Other Four Pass Loop”, or “The Williams Mountains Circuit”. But truly, this trip evolved from my desire to touch those remote parts of the Hunter Frying Pan Wilderness nestled in distant basins between the two drainages.
I traversed four passes, though only half of those are named. Trails existed at the beginning and the end of the route, but in the middle, boulder hopping, elk tracks and trickles of streams shaped the way. There were people only within the first and last half-hours of travel, the other 47 and a half hours were solo, except for all the extraordinary life.
I started high, and climbed higher. Mountains extended in all directions with only nature visible in the foreground and beyond. The Williams Range formed the backbone of my journey, and while I would encircle the long ridge with its craggy peaks, I would also descend and ascend a diversity of deep valleys.
Where water sprang from the ground or seeped from melting snow, slopes were alive with seductive fresh flowers, as though summer was just starting.
Exposed higher meadows still held their fading glory, tinged with early fall golds and reds.
After cresting the second pass, I dropped into a fork of upper Hunter Creek. Water flowed, fell and frolicked among pink flecked granite boulders, graced with verdant flowers and foliage. Almost dancing my way downvalley, I paused at a broad meadow edged by spruce trees, through which a calm creek meandered.
The sky was growing darker and as moisture started to fall, I sheltered in the embrace of the nearby forest while snowflakes fluttered. It was as though I had stepped into a magical kingdom. As I resumed my wandering, I sensed vibrations, and on turning, watched a magnificent herd of deep brown elk with young, bound almost silently through the woodland. A path upslope beckoned and I followed keenly. It released me on a perfect knoll, at the head of the second river fork and upper basin.
Here I would become immersed in the changing colors of evening playing on the mountain spine, highlighting its pinnacles and spires.
Then later turning to a moonlit night sky.
Crisp morning light articulated the third pass and its family of peaks that drew me on.
From over 13,000 feet I soaked in views of mountain ranges from new perspectives.
And met new friends who seemed a little shy.
Too soon, I was as far away as I could be in this wilderness landscape. That signaled time to turn, to drop two thousand feet, then turn again and climb, through a stately Colorado mountain valley.
Grateful for the expansiveness of this terrain that held me till the sun was low above the ridgelines, I stretched out on my sleeping pad and again observed the changing light.
I marveled how this sweet blush of color turned each day, yet how seldom we pause to recognize such luminescence. At that moment, I was thankful to be so alive outside where rare shooting stars burst brightly across an inky sky.
Previous explorations had taken me up and over the gorges of tumbling creeks feeding the Frying Pan River. I rested at their lakes and scaled summits, looking across to the mysterious ridge that bounded the lake family comprising my missing puzzle piece.
The route was along firm granite rock interspersed with bright alpine flowers. It led towards the summit until I reached the snowy rim. Being highly respectful of white slippery slopes, I sat on a warm rock and ate lunch. Refreshed, I resumed my quest and discovered a way to the top. At last the puzzle was complete as looked back upon the lakes and ridges where my desire was born.
In the Rocky Mountains, June is an exceptional month that holds the longest day and heralds summer’s start.
Bucksbaum Campus Phase 2 – In progress June, 2016
Aspen Music Festival and School, Castle Creek, Aspen
40BWORKS serves as the Landscape Architect for Phase 2 of the Bucksbaum Campus of the Aspen Music Festival and School, designed by Harry Teague, Architects. Phase 2 involved the construction of a composition of new buildings around the significant large ponds. The entire central area of the Campus is primarily a pedestrian environment.
While the buildings are complete, planting on Campus is still in progress. Here, freshly-placed sod gleams.
Ever-changing reflections in the ponds create another dimension of experience (during construction).
Planting in Phase 1 is taking hold, restoring the wild natural feel of the riparian environment surrounding Castle Creek as it runs through Campus.
It’s exciting to see wildflowers like this Firecracker Penstemon, and Rosy Paintbrush (not shown) blooming in the Campus specific wildflower mix, sown in Phase 1.
Pitkin County Library, Aspen – Opening Celebration, June 19
I worked on the Pitkin County Library Expansion project when I was at Design Workshop. I led a phase of planning approvals, landscape conceptual and schematic design and design development. The construction drawing and observation phase was completed by Design Workshop.
It was a rewarding experience to attend the opening celebration and congratulate board members, library and county staff, and consultants. All worked with dedication to evolve the early vision into a constructed reality for the entire community and visitors.
The library expansion opens on to a public plaza, merging indoor with outdoor space. In particular, the children’s room has a small sunken garden amphitheater for outdoor reading and activities.
Patrons, board members and the community are excited to explore this new facility for the 22nd century!
The roof reading garden features great views over the public plaza and towards the town and mountains.
Creating these artworks connected me to the wild areas in Southeast Alaska where I sketched. I plan to share them through notecards and at art shows. I hope they bring you inspiration too!
I’ve seen my second full moon rise over the snowcapped peaks of Sitka. Etched in the clouds, a streak of golden light swelled to a shimmering globe.
Through the dense tall tree trunks, I’ve glimpsed the silhouette of a small Sitka deer, as he startled and disappeared. In my ridgetop tent, I’ve been woken by a clucking ptarmigan, with snowy white plumage, a handsome black head and red beak. Through the night, the landscape glowed in shades of silvery gray.
As the red blush moon sinks into the sea, fresh light brings focus to the day.
In May, my second month, the forest understory shows off its green plumage like a peacock’s emerald tail. I walk among carpets of starry mosses, colorful lichens and sun sparkling leaf sprays. In soft moist bogs, tentative stalks burst into bold skunk cabbage soldiers. Like the spring forest, I sense a deeper layer, a growing connection to this landscape.
A magical place is the promontory of Totem Park, where forest meets ocean. Tentacles of water ebb and flow rustling pebbled beaches, discarding ribbons of red-brown seaweed, broken white clamshells and white-washed wood.
Where the Indian River estuary joins the sea, there is a wealth of sound and activity. A merganzer duck family paddles around a floating log, watched by bald eagles perched on tree tops high above. I hear multitudes of birds’ sound – calling, screeching, wings flapping, and sometimes just a whir as they pass by.
The aliveness of this place enraptures me. I pause mid-stride while running, watching as an eagle swoops or a sunray lights the water gold. From stillness in sketching, I step out to tidal pools where orange-tentacled seastars stretch and scrawny crabs scurry.
It only happens once, the time I first discover a place. When I feel naively open, like soft pink petals of blossoming salmonberry and all is fresh like the new leaf green of its foliage. My senses are alert as I deeply inhale salt smelling air and catch shrill seagull sounds in the sky. The differences from my home in Colorado are stark.
South East Alaska is a land by sea, islands among sea, lakes on land. Colored in shades of grays, greens, and sometimes blues; ancient, ever-changing.
There is no clear order, no neatly layered bottom rooted in deep soil, nor tree trunks pointing up straight to a clean top line of sky. Instead, massive spruce and hemlock rest across the forest floor, their upturned shallow-wide roots a living green wall supporting brilliant green lichens, mosses and ferns.
Base twisted roots entwine, pairing massive trunks as families of trees. I wonder where does one begin, another end? There is not death, instead rebirth, regeneration, the fallen becoming grounds for fresh new growth. The forest is verdant, deep, alluring. Spirits of ancestors whisper.
The sea feels expansive with mysterious edges where land and water meet, punctuated with coves, rippling waves, big black boulders, coastal curves and crevices.
Water pools and laps among small dark pebbles, falls cascade straight down towering dark cliffs, white froth bounces playfully over gray smooth worn rock. Creeks so clear that pebbles shine below, the surface glimmers in cyan blues.
This landscape doesn’t hold still to be captured (on paper), it paints itself, in watercolor, always fluid.
The sky is not a flat blue backdrop. It is part of land and sea, alive with flocks of calling seagulls, with white-headed black-bodied eagles that spiral and soar the thermals, with multitudes of wings that shimmer in the light. The sky holds water in many forms – fat puffy clouds, mysterious sweeping mists, fogs draping snow-capped peaks and silhouetting forests. Water vapor always moving evoking ever changing panoramas, bonding to earth with falling rain. A spiral of life like the ancient petroglyphs inscribed on rock.
Sitka is my moody muse. She dulls me with her endless greys then pierces me with unexpected searing shards of light. The sun emerges as a magical gift. It transforms earth and sky. Energy abounds, changes to evening’s pink and orange frolic, and lingers long in night’s deep blue twilight.
A place evocative, where hundred year old trees hold knowledge of times past, sculpted totems tell stories and voices of ancestors are still heard. In town, the round Russian church, rectangular bishops house and elegant once-college campus speak of the more refined.
A place where people-time pauses – small shops that still sell everything from milkshakes and toys, to hard candy, kettles and tea cloths.
There are many stories to unfold.